Grab

 

Grab trailer

 

A few weeks (June 16, 2011 to be exact) ago I had the pleasure to not only see Grab, a documentary I have had my eye on for a few months, but also to experience a first: I actually met the film’s director, Billy Luther. I was somehow already Facebook friends with Billy for a while before I knew about either Grab or his other documentary, Miss Navajo, but it was pretty cool to meet him in person. He was funny, courteous and down to earth – all things that made me feel right at home.

Grab deals with the Laguna Pueblo tradition of throwing gifts – every thing from Ramen noodles to beach balls and handmade pottery – off of traditional homes on one’s saint’s day. People who throw gifts spend a good amount of money and many months purchasing items. And then there is also the food that is prepared for that day. A real celebration which involves what seems like the entire community. The film follows a few families and their different grab day experiences. A few of my favorite parts were the whimsical miniature town made out of grab day  materials and also, perhaps surprisingly, one of the families’ reaction to the death of Michael Jackson. It was one of those moments that captures how connected we are, no matter our race or ethnicity or the many other labels that seemingly should (or so they tell us) divide us. And of course, as one audience member so aptly noted, the obvious bond that the Seymour family shared was also very touching.

After watching the film, which I enjoyed, I did have the sense I feel after watching some documentaries, to wit: I wanted more statistics and other information on the people and communities involved (this was mostly prompted by the story of the mother and daughter who grew crops to give away fresh products during their grab day celebration). But then I remembered that during the cocktail party, and unprompted by questions from me, Billy remarked that he didn’t want his film to be didactic; he wanted to focus on making it enjoyable. (This interview with Luther captures some more of his outlook and includes information on the Grab photographic exhibit now on display at the NMAI in New York City through July 31, 2011.) So, I didn’t focus so much on the other details I wanted to know and focused on the feelings I came away with. It was a feel good film about tradition and family and generosity.

After the Q&A was over, Billy announced that audience members would receive grab bags of our own on our way out. As I grabbed the train back home, I noticed another commuter with a grab bag so I smiled and said, “You got one, too!” “Way to bring home a point,” she said, smiling back. She hit the nail on the head. Watching the film and having the opportunity to hear (and meet) Billy and the protagonists alone would have been cool enough. But when Josie Seymour (one of the films protagonists who attended the screening along with her husband) gave away the beautiful piece of pottery she handmade, something she apparently does at all the screenings she attends, and attendees got the grab bag (promotional material inside or not), it really was a multi-sensory way to bring home the importance of giving. And of recycling – I’ve been carrying it around in my purse for weeks and have used it on at least 3 occasions already!

So, try and catch the film – it’s a sweet one and as Billy notes in that interview, very serene. And next time you’re grabbing something, don’t forget a bag for recyling as a way to give back … to Earth. ; )

 

Smiling and Howling

Smiling Indians

 

 

 

I just watched a short called Smiling Indians, made by directors Sterlin Harjo (who I’ve written about before) and Ryan Red Corn, who collaborated with Harjo in Barking Water. Here’s a short interview with Red Corn describing the impetus behind this short, which is dedicated to Edward Curtis, the famous photographer whose images of 19th century Native Americans occupies a stronghold in the popular imagination on Native peoples. Many if not most of these photographs show serious, and probably broadly perceived as stoic, faces of a people who were thought to be vanishing. In this sense, Smiling Indians demonstrates how the palimpsest of Native American history is being partly rewritten by Native filmmakers.

Red Corn is part of a video production group called the 1491s, which presently counts the following people among its members: Sterlin Harjo, Dallas Goldtooth, Migizi Pensoneau, Bobby Wilson, Garrett Drapeau, Elizabeth Day, and Sedelta Oosawhee. You can watch the 1491s’s videos here. Besides comedies and shorts, such as their first group project New Moon Wolf Pack Auditions, they have worked on more educational documentary style shorts and plan on working on features in the future. (Although the New Moon Wolf Pack Auditions were funny, I really cracked up after watching outtakes of “cultural adviser” Garret Drapeau.) Among the shorts with more political messages are Geronimo E-KIA and Bad Indians and among the more comedic ones are Singing Lessons by the 1491s and Slapping Medicine Man. I like the fact that the collective is using both serious poetry and comedy as expressions of Native culture (or cultures) and to effect changes in the ways Indians are perceived by the general public.
 

 

Singing Lessons by the 1491s